The Expendables
- Condition: New
- Format: DVD
- AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Mainstream rhetoric has made a concerted effort to polarize African Americans and Latinos, emphasizing differences in language and religion, while designating one or the other as the âfavored minorityâ at will. In Witness, Amalia Mesa-Bains and bell hooks invite us to reexamine this politically popular binary and consider which differences are manufactured and which are real.
In Witness, Mesa-Bains and hooks explore their own similarities and differences, sharing the ways their childhoods, families, and work have shaped their political activism, teaching, and artistic expression. Drawing on shared experiences of sexism, classism, and racism, hooks and Mesa-Bains show how people from divergent cultural backgrounds can work together for radical social change.
While the black/L! atino divide and the increasing cross-community political coll! aboratio n has been addressed in progressive newspapers and magazines, Witness, an inclusive call to reflect and act, is the first of its kind to look at these issues in depth. And Amalia Mesa-Bains, a pioneer scholar and producer of Chicana art, with bell hooks, one of the most acclaimed of African American theoristsâ"prove an unparalleled match for the job.
bell hooks is one of the leading public intellectuals of her generation. She has written extensively on the emotional impact of racism and sexism, particularly on black women, as well as the importance of political engagement with art and the media. In her recent work on love, relationships, and community, she shows how emotional health is a necessary component to effective resistance and activism.
Amalia Mesa-Bains is an artist, curator, and writer who has initiated comprehensive exhibitions of Latino art, including Chicano Art: Resistance and Affirmation and Mi Alma, Mi Tierra, Mi ! Gente: Contemporary Chicana Art. Her artwork incorporates various aspects of Chicano/a history, culture, and folk traditions, exploring religion, ritual, and female rites of passage. She won a MacArthur Fellowship in 1992.
Our food system is dominated by industrial agriculture and has become economically and environmentally unsustainable. The incidence of diet-related diseases, including obesity, diabetes, hypertension, cancer, and heart disease, has skyrocketed to unprecedented levels. Whether you have forty acres and a mule or a condo with a balcony, you can do more than you think to safeguard your health, your money, and the planet.
Homegrown and Handmade shows how making things from scratch and growing at least some of your own food can help you eliminate artificial ingredients from your diet, reduce your carbon footprint, and create a more authentic life. Whether your goal is increasing your self-reliance or becoming a full-fledged ho! mesteader, it's packed with answers and solutions to help you:!
This comprehensive guide to food and fiber from scratch proves that attitude and knowledge is more important than acreage. Written from the perspective of a successful self-taught modern homesteader, this well illustrated, practical, and accessible manual will appeal to anyone who dreams of a simpler life.
Deborah Niemann is a homesteader, writer, and self-sufficiency expert who presents extensively on topics including soapmaking, bread baking, cheesemaking, composting, and homeschooling. She and her family raise sheep, pigs, cattle, goats, chickens, and turkeys for meat, eggs, and dairy products, while an organic garden and orchard provides fruit and vegetables.
The desultory comedy strikes a lowbrow tone from its opening scene (Harold takes a shower while Kumar has a diarrhea attack) and doesn't get much more interesting than that. If there's a bodily fluid that doesn't rate a joke in Guantanamo Bay, it doesn't exist. The persistent sight gags about weed (including! a smoky visit with President Bush) never reach the kind of gi! ddy pitc h that pot humor requires, leaving a lot of the film's comedy just hanging like dead space. The sequel's attempt to say something, albeit in a gross way, about the state of the country during the Bush years is obvious and empty. Really, there isn't a lot of reason for Guantanamo Bay to have been made, except to print money. --Tom Keogh
Thirty-nine-year-old New Yorker Mitch Robbins (Crystal) is tired of his job and bored with his life. So he and his two best friends (Bruno Kirby and Daniel Stern) trade their briefcases for saddlebags and set out to find freedom and adventure herding cattle under the wide New Mexico sky. But what they discover instead is scorching sun, sore backsides... and more about themselves and each other than they ever thought possible.
Special Features:
- Audio Commentary by Director Ron Underwood and Stars Billy Crystal and Daniel Stern
- Featurettes: Back in the Saddle; City Slickers Revisited; Bringing in the Script; Writing City Slickers; A Star Is Born: An Ode to Norman and The Real City Slickers
- Deleted ScenesThree middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail proves a tougher place than anyone thought, and the boss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urbanites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh Three middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail proves a tougher place than anyone thought, and the bo! ss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urbanites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh
#1 NEW YORK TIMES BESTSELLER
His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girlâs savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.
One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, drea! my cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.
Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sen! timental, The Horse Whisperer is an engaging read, sor! t of lik e a finely tuned, well-edited film. --Rebekah WarrenTwelve-year-old Winnie Willis has a way with horses. She can gentle the wildest mare, but other parts of her life don't always come as easily. Along with her dad and sister, Lizzy, Winnie is learning how to live without her mom, who was also a natural horse gentler. As Winnie teaches her horses about unconditional love and blind trust, God shows Winnie that he can be trusted too. Readers will be hooked on the series' vivid characters, whose quirky personalities fill Winnie's life with friendship and adventure.
In #1 Wild Thing, Winnie's fearful heart finally begins to trust God again as she tries to gentle the horse of her dreams, Wild Thing.Monty Roberts is a real-life horse whispererâ"an American original whose gentle Join-Up® training method reveals the depth of communication possible between man and animal. He can take a wild, high-strung horse who has never before been handled and persuade that hors! e to accept a bridle, saddle, and rider in thirty minutes. His powers may seem like magic, but his amazing âhorse senseâ is based on a lifetime of experience. In The Man Who Listens to Horses, Roberts reveals his unforgettable personal story and his exceptional insight into nonverbal communication, an understanding that applies to human relationships as well. He shows that between parent and child, employee and employer, abuser and abused, there are forms of communication far stronger than the spoken word that are accessible to all who will learn to listen. This new edition features engaging photographs, a chapter that traces Robertsâs amazing experience gentling with a mustang in the wild, and an Afterword about the remarkable impact this book has had on the world.Monty Roberts is, as they say, the real horse whisperer--even if he does revile the last third of Nicholas Evans's romance. Yet Roberts also makes clear from the start that listening and clo! se attention have more to do with gentling an animal than soi! -disant whispering. As far as he's concerned, silent communication can "effectively cross over the boundary between human (the ultimate fight animal) and horse (the flight animal). Using their language, their system of communication, I could create a strong bond of trust. I would achieve cross-species communication." And achieve it he does. After one short session, he has even the wildest stallion nickering with ungulate abandon.
Roberts's descriptions of "joining up," as he calls it with horses--as well as with the deer who cavort on his California farm like so many hyperintelligent Bambis--are inspirational in the best sense of the word. Surprisingly, though, it took him long years to persuade most of the humans in his life that pain and punishment are not the way to go. Indeed, the author expends many a page on past mistakes and disasters, familial and professional. Yet The Man Who Listens to Horses remains a powerfully positive document--and not just ! for Mr. Ed. Best of all, when it comes to his life's work, Roberts is far more practical than mystical. Instead of portraying himself as Equus's messiah, he'd rather share his hard-won knowledge. Having overcome years of rejection and ridicule, the author is certainly not short in the self-esteem department, as some passages in this book demonstrate. No matter. He always checks his ego before entering the corral. --Kerry FriedTwelve-year-old Winnie Willis has a way with horses. Along with her dad and sister, Lizzy, Winnie is learning how to live without her momâ"who was also a natural horse gentler. As Winnie teaches her horses about unconditional love and blind trust, God shows Winnie that he can be trusted as well. Readers will be hooked on the series' vivid characters, whose quirky personalities fill Winnie's life with friendship and adventure.
In Unhappy Appy, Winnie misses her mom more than ever, and her dad has invited some new woman for Thanksg! iving dinner. More than ever, Winnie needs God to open her eye! s to see his hand at work.