Wednesday, January 11, 2012

Terror Beneath the Sea

  • Can legendary action hero Sonny Chiba (Kill Bill, Volume 1), save the planet from the ultimate destruction of the human race? The Navy s test of a new torpedo for a group of journalists ends abruptly when a strange creature swims into view. Reporters Ken (Chiba) and Jenny (Peggy Neal) sense something sinister and decide to investigate. Unbeknownst to them, an evil scientist is busily creating a
A dark road, a sleepy driver, a motel looming out of the night. Writer-director Chad Feehan takes those classic thriller elements and weaves a disturbing and compelling tale of love and the nightmare grip of ghosts from our past. Josh Stewart ("The Curious Case of Benjamin Button") and Jamie-Lynn Sigler ("The Sopranos") deliver intense performances as a young couple who take refuge in a roadside motel. Soon, the couple has crossed paths with a mysterious desk clerk and his sultry blond wife, as well as! a stranger who is somehow privy to their most closely guarded secrets. Like a love story by way of "The Twilight Zone," "Beneath the Dark" touches your heart even as it chills your blood.Director and co-writer Federico Zampaglione's terrifying film recalls Sam Peckinpah's ferocious "Straw Dogs" and Tobe Hooper's horror classic "The Texas Chainsaw Massacre," yet it feels as immediate as today's headlines. Jake Muxworthy plays a young soldier who embarks on a mountain-biking trip, walks into a cafe and meets the love of his life (Karina Testa). Unfortunately, he also meets a pair of violent hunters who make him their prey after he defends the young woman from their sleazy advances. But what appears at first to be a vicious cat-and-mouse game set in treacherous terrain turns into a full-blown nightmare when these adversaries become the captives of a mountain dweller whose depraved plans for them soon become all too apparent. Both a relentless horror film and a searing account! of the brutal after-effects of war, "Shadow" is a scream-indu! cing des cent into an abyss of unspeakable terror.
BENEATH THE DARK ICE
When a plane crashes into the Antarctic ice, exposing an enormous cave system, a rescue and research team is dispatched. Twenty-four hours later, all contact is lost.
Captain Alex Hunter and his highly trained commandos, along with a team of scientists, are fast tracked to the hot zone to find out what went wrong. Meanwhile, the alluring petrobiologist Aimee Weir is sent to follow up on the detection of a vast underground reservoir. If the unidentified substance proves to be oil, every country in the world will want to know about it--even wage war over it. Or worse.

Once suspended into the caves, Alex, Aimee, and the others can't locate a single survivor--or even a trace of their remains. Nor is there a energy source, only specter! s of the dead haunting the tunnels. But soon they will discover that something very much alive is brewing beneath the surface. It is a force that dates back to the very dawn of time--an ancient terror that hunts and kills to survive...

BENEATH THE DARK ICE REVIEWS:

* BUCKLE UP... This is going to be a hell of a ride! Jonathan Maberry - Bram Stoker Award winning author of The Wolfman (now a major motion picture).
 
* Beneath the Dark Ice - Quickly paced, imaginatively detailed, and highly atmospheric, Beck's novel is an entertaining mix of thriller, horror, fantasy, and science fiction. Neal Wyatt, RA Crossroads, LIBRARY JOURNAL 
 
* B! eneath the Dark Ice has all the ingredie! nts of a late night page-turner: a remote and dangerous setting, a rugged hero with an Achilles heel, a vicious and deadly villain, geopolitical intrigue and cutting-edge science. Throw in a feisty heroine and a band of elite soldiers, put them in the ruins of an ancient civilization and pit them against a mythological creature, and it's a recipe for compulsive reading. Lachlan Jobbins, Good Reading Magazine.
 
* Fast Paced, fun and fantastic debut from a great new talent. Perfect escapism. Paperchain Books.
 
* Beneath the Dark Ice - In a word: GRIPPING. Malcolm Tattersall, Townsville BULLETIN.
 
* Exciting Read! A successful mix of spy thrille! r, psychological drama, and scientific primeval action novel - with just a touch of the Jules Verne. Anne Dickson, Rodney Libraries.
TERROR BENEATH THE SEA - DVD Movie

Old English 75144 8 Oz. Scratch Cover for Dark Wood

  • Cleans, shines & conditions
  • Helps prevent drying and cracking
  • Protects against ordinary wear such as dust and fingerprints
  • Made in the USA
A critically acclaimed psychological thriller; Dark Woods tells the story of a young couple who moves to a secluded cabin to cope with the wife's terminal illness. After the husband rescues a young girl from the abusive hands of her psychotic uncle he is coerced by local law enforcement to allow her to stay with them. As the illness consumes the wife and the husband struggles with his own human connections, the young girl attempts to claim her place in this strange new family dynamic. The husband must rediscover his humanity and choose between his increasingly erratic and sexually explorative new housemate, and his horrifically deteriorating wife.

This product is manufactured on demand using DVD-R recordable media. Amazon.com! 's standard return policy will apply.

One of the country's premier outdoors writers makes his chilling fiction debut. It came out on the night of the hunters.

Deputy Frank Vaughn is tracking a strange, wounded beast. But there's only one thing more terrifying than what he's hunting. It's what's hunting him.Throughout its long history, Freetown, Massachusetts, has been a hotbed of criminal and supernatural occurrences in the town's State Forest. This is the first account of how its darker side connects hauntings with violent crime and local cults. Native American ghosts roam here and evil lurks, making the forest a haven for nasty creatures (the Pukwudgies). A witch looks for favors from young men, satan cults thrive, and killers kill. Read first-hand accounts from police officials and criminals about the forest. Learn why hauntings continue today. Many come here to enjoy the beauty of Freetown State Forest; these are the stories of those who cannot leave.Stu! dio: Repnet Llc Release Date: 05/30/2006Forgotten somewhere b! etween B ar Harbor, Maine, and New Brunswick, Canada, lies the most remote and mysterious section of the Eastern Seaboard. It is a region rich in stark beauty--and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by history…and a young soprano whose past was a tragedy forgotten even by her.

As the stage is set for the composer’s masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple children’s tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.

Into the woods we go…



Exce! rpt from Gingerbread House:

The stage’s light fell upon the witch as she paused before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisible; her twisted features painted in a corpse-like green and grey.

“Kommt, kleine Maus-lein, kommt in mein Haus-lein,” she intoned, beckoning towards them entreatingly.

It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.

“Come, little mous-ie,” she crooned. “come into my hous-ie...” Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force in step to the witch’s song.
The ground was closing between herself and the witc! h, the g irl’s heart pounding as her heavy boots scraped against the floorboards. Frauline Truda’s smile seemed inhuman beneath her malformed mask, exposing teeth stained black beneath.

“Hocus, Pocus, witch’s charms!” With a shriek of delight, Frauline Truda aimed the witch’s broom at them, its pointed end dwindling to a wand…
Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by history…and a young soprano whose past was a tragedy forgotten even by her.

As the stage is set for the composer’s masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple children’s tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.

Into the woods we go…



Excerpt from Gingerbread House:

The stage’s light fell upon the witch as she paused ! before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisible; her twisted features painted in a corpse-like green and grey.

“Kommt, kleine Maus-lein, kommt in mein Haus-lein,” she intoned, beckoning towards them entreatingly.

It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.

“Come, little mous-ie,” she crooned. “come into my hous-ie...” Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force in step to the witch’s song.

The ground was closing between herself and the witch, the girl’s heart pounding as her heavy boot! s scraped against the floorboards. Frauline Truda’s smile se! emed inh uman beneath her malformed mask, exposing teeth stained black beneath.

“Hocus, Pocus, witch’s charms!” With a shriek of delight, Frauline Truda aimed the witch’s broom at them, its pointed end dwindling to a wand…
Cleans, shines and conditions wax to beautify and preserve wood. Helps prevent drying and cracking and Protects against ordinary wear such as dust and fingerprints. Use on furniture, paneling and cabinets. Scratch covers are ideal for nicks and scratches.

Halloween [Blu-ray]

  • The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis, in her debut role, plays a babysitter who must protect herself from the deadly Michael Myers, a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent mo
The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis in her debut role plays a babysitter who must protect herself from the deadly Michael Myers a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent motion picture of all time" HALLOWEEN is also one of most frightening films ever made.System Requirements:Run! ning Time: 92 mins.Format: DVD MOVIE Genre: HORROR Rating: R UPC: 013131542899 Manufacturer No: DV15428Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loo! mis, after John Gavin's character in Psycho. In the end! , though , Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly moun! ted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more install! ments: 1981's dismal Halloween II, which picked up the ! story th e day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert HortonNo Description Available.
Genre: Horror
Rating: NR
Release Date: 2-OCT-2007
Media Type: Blu-RayHalloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pic! tures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small! town of Haddonfield, Illinois, a teenage baby sitter tries to! survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at th! e screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton

Life

  • New
Three generations of comedy legends star in this tale of nightclub owner Sugar Ray (Richard Pryor) and his son Quick (Eddie Murphy), who fight to keep a vicious mobster and a corrupt police force from putting them out of business. Written by Eddie Murphy with an all star supporting cast including Redd Foxx, Della Reese, Arsenio Hall, Jasmine Guy, and Danny Aiello, Harlem Nights is an action packed comedy treasure!This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub ! owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine
Genre: Feature Film-Drama
Rating: R
Release Date: 1-JUL-2008
Media Type: DVDHARLEM NIGHTS - DVD MovieThis is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, w! ith three comics as funny as Murphy, Pryor, and Foxx, there ar! e so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine This is a supremely disappointing film, ! especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine Coming to America casts comedian Eddie Murphy as pampered African prince Akeem, who rebels against an arranged marriage and heads to America to find a new bride. Murphy's regal father (James Earl Jones) agrees to allow the prince 40 day! s to roam the U.S., sending the prince's faithful retainer Sem! mi (Arse nio Hall) along to make sure nothing untoward happens. To avoid fortune hunters, Prince Akeem conceals his true identity and gets a "Joe job" at a fast-food restaurant. Murphy and Hall play multiple roles, and there are innumerable celebrity cameos peppered throughout the proceedings â€" including the Duke Brothers (Don Ameche and Ralph Bellamy) from Trading Places. Coming to America made further headlines when humorist Art Buchwald sued the film's producers for plagiarizing one of his works. Buchwald carried the case to trial, where he won a sizeable judgement against the film's producers.Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages t! o look smug and naive at the same time. There are enjoyable sequences of Murphy's Prince Akeem applying his lordly manner to his new job in a fast-food emporium, and falling for the boss's spirited daughter (Shari Headley), who teaches him how to party down, American style. But the fish-out-water premise is never fully exploited. Star spotters will have a field day locating Cuba Gooding Jr., Donna Summer, Louie Anderson, Vondie Curtis Hall, E.R.'s Eriq La Salle, and Samuel L. Jackson in their minuscule supporting roles. --David Chute In 1930's Harlem two men are framed for murder, what ensues is a comical look at their lives together in prison over the next sixty years.
Genre: Feature Film-Comedy
Rating: R
Release Date: 6-JAN-2004
Media Type: DVDMartin Lawrence and Eddie Murphy play it surprisingly straight in this film by director Ted Demme. Though there are laughs to be had, this is a story about perseverance in the fa! ce of a life of disappointment (yet the film was sold as a pri! son come dy). But Stir Crazy this isn't. Rather, Lawrence and Murphy play a couple of New Yorkers making a moonshine run from New York to Mississippi during the Prohibition who find themselves framed for murder and sentenced for life to a prison chain gang. As they age, the two become close friends, although the strait-laced Lawrence always resents the free-wheeling Murphy for getting him into the situation in the first place. Ultimately, these two men learn to find meaning where they can, taking value from friendship and their limited ability to affect the lives of others. At times preachy, it ends on an upbeat note; the film's biggest laughs are reserved for the final section, in which Lawrence and Murphy don age makeup and play octogenarians. --Marshall Fine